Last week I was proud and happy to announce my debut on the spanking-new blogozine, Multi-Hyphenate, with a classic stalker story.

"Why I Hate Lucy" - TV Sitcom
My thanks and gratitude to Tyler Weaver for the chance to share my twisted story and for making my first experience a damn fine one.
So here it is, as posted on Multi-Hyphenate.
WRITING & ME: A STALKER STORY
I could tell you these contributions will provide writers with sure-fire ways on how to score an agent, get published, produced, become rich and famous.
But I’d be lying. Plus I’m not that kind of contributor.
I have no formulas. Or answers. Just stories.
Stories that might help you make some sense of the whole darn thing or at the very least, provide a good laugh.
Also, I’ve kinda been around. Not in a slutty sort of way – though that case might be argued and is best reserved for another blog. But creatively, if I think about it, I am in my own right, a walking, talking, constantly evolving – well, one can only hope – multi-hyphenate. And one way or another, have managed to earn an income from writing and all things related to it for over 15 years.
So why did you choose to write?
This question evokes a mindless stare that translated into words would go something like: Are you out of your frigging mind? Who would choose to be isolated, insecure, jolted by voices in the middle of the night demanding your pen (or tips of fingers on keyboard) serve as their tongue, and generally psychotic?
I have attempted escape, taken out numerous restraining orders. Tried my hand at other professions. But writing – relentless stalker that it is – has managed to track me down and hold me prisoner.
I guess the tragedy really began at age 7, when I wrote my first novel. It went for 20 pages which when you’re that age, is equivalent to War and Peace.
My parents never ceased to remind me writing was a hobby, not a profession.
So I got my first job as a travel writer for a Malaysian tourist magazine. And from there, proceeded to work for a daily newspaper and a bunch of lifestyle magazines. Pretty soon I was freelancing and found myself writing everything from advertorials and copy, to entertainment reviews for local theatre and performing arts.
Most of the plays I saw sucked and I knew I could do better. So I wrote my first play, Color Blind. Co-founded a company called Kuali Works (Kuali in Malay means Wok) with another writer, Ann Lee – who still runs the company. And produced my play.
Also, we decided Malaysia really needed its first all-women arts company so Kuali Works – that specialized in theatre, television and publishing, employed only women and trained them from the ground up.
I also decided to direct Color Blind, which was a harrowing experience and swore would never do it again until I wrote my second play, LightBulbs and directed that.
A black comedy about Malaysia’s first female serial killer, LightBulbs got a full house every night and became a cult hit. So I entered it into the New York Fringe Arts Festival and became the first Malaysian playwright to be produced there in 1998.
In the meantime, I got contracted to write plays for other directors and became Playwright In Residence at a local theatre. A dream come true.
I should probably have stayed and capitalized on the glory. But I felt like a hack – undeserving of the sudden success and certain I was just a big fish in a small pond. Also, I needed to learn more. Also, I fell in love – groan. So I moved to New York. Well Jersey City to be precise.
But managed to score a gig as Foreign Arts Correspondent for Citibank Magazine Malaysia and got to review plays and films and restaurants in NYC, which was pretty cool. Plus while I was there, my agent back home scored me a writing gig on a local TV sitcom. So I felt pretty contented… Until life happened. As it does.
Found myself pregnant and my partner got transferred to Italy. And so we moved and I gave birth in Italian, which was an interesting experience.
But three months after the baby was born, I was back in Malaysia, a single mum, jobless. And to top it off, my baby was denied a visa to stay. In my own country.
After two years of TV writing and fighting for my daughter’s visa, I decided it was time to give up the ghost and applied for permanent residency to Australia, whereupon my parents again took the opportunity to remind me, Writing Is A Hobby. I had a child now. It was time to grow up.
This time I agreed. And so I did – grow up.
I became a sales rep for a company specializing in reference material for schools, and became quite successful at it until my back went out as I was lifting, which saw me in physiotherapy and unable to walk for 5 months.
When I was finally able to drive, found myself mysteriously swerving into the Australian Film, TV & Radio School (AFTRS) which takes only 3-4 screenwriters a year.
The following year I found myself one of three students accepted into the Graduate Diploma course for screenwriting. And in the next two years, got to write short films, create my own TV sitcom – Why I Hate Lucy , and script-edited several episodes of an original TV drama series.
And when I graduated, found to my amazement I had been awarded a post-graduate scholarship with Southern Star Entertainment, which was a great honor and a wonderful learning experience.
And to be honest, I thought this was it. This was my second chance.
But it wasn’t. Well, it was and then it wasn’t. I landed a gig on a TV drama, but the story producers changed and the new one didn’t like me and thought my work sucked and the recession hit and suddenly there I was again – jobless, with a daughter halfway through primary school, skilled at nothing but words.
Such is the nature of our business, of life. It doesn’t just apply to Hollywood. It’s everywhere.
I’m lucky Writing is the relentless stalker that it is. I’m not sure I would have maintained the resilience I needed otherwise.
Sometimes resilience is all we need.
For as my journey continues like one tumultuous wave after another, I would like to tell you it gets easier. That after being validated and published and produced, that I feel less of a hack and more secure.
But it doesn’t. And I don’t.
What I do know is this: I am a writer.
I write not because I want to but because I have to.
Life experience is not a bad thing. It is what informs my writing.
And I am undeniably Multi-Hyphenated – though far better and happier at some hyphenates than others.
I wonder – If your creative/professional path were translated into a story, what would it be? A War story? A Western? A Detective Story with a twist? Or just a good old-fashioned Love Story?